"The Natural" as a Road to God?
The Natural never found a comfortable place in my mind as I read it and I am still not able to envisage it in my understanding of religion. Setting out to read the novel I first glanced at Kevin Baker’s “Introduction” and was immediately drawn to the word antiheroic. It was a term not often associated with religious heroes. Heroes are always revealed in a glorious light—David defeated Goliath, Moses saved the Israelites—but rarely do we witness their shortcomings. Again, I am forced to rely on a rapidly fading understanding of Catholicism, though, I am sure that the religious characters I grew up with were people to emulate in all ways. How then could the antiheroic, callous, self-absorbed Roy Hobbs ever guide someone in a religious direction? One could argue that characters with flaws can be learned from, but why then would Bernard Malamud spend an entire novel on such a reprehensible person—terrible characters with lessons to teach are for fables not for works with the magnitude of The Natural.
I spent the first half of the novel grappling with the idea of Roy Hobbs as hero; it was a constant comparison with Jesus, one I regret spending half the work doing. I was, however, compelled to continue reading.
As I read The Iowa Baseball Confederacy I allowed myself to get swept away in the mythology Kinsella created. When it was completed, however, I walked away from the novel thinking only “what a lovely story”. I have trouble believing in magic and mystique of religion—it’s always been a problem and I don’t foresee it going away. Malamud created a world that appeared authentic.
This posed a question in my mind: If I believed in
Is Malamud’s final lesson that the profane ends with failure and tragedy? I don’t think so.
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